Rationale 1
The typeface focuses on ‘renewable’ I want to take a traditionalist type face,
and bringing it to relevance into modern design. Traditionalist serif typefaces
such as Baskerville and Caslon are used for informative reasons as the style of
them strikes the audience with a sense of authority. My typeface flips this on
its head, blocked off terminals create straight lines to contrast against their
current curved nature. This will allow the typeface to be used as a display
font, testing the rules of type trends in design, bringing fonts centuries old to
significance in modern works, in an entirely new context.
Rationale 2
This typeface is based around ‘renewable’ a new modernistic font such as Helvetica. The font Helvetica is known as untouchable, too good to be changed. Serifs will be added; this would give the font a sense of personality. Giving them this addition represents ‘renewing’ in terms of embodying factors from traditionalist fonts to take them back to the basis of type design . The font also experiments with shadow, the contrast is reaffirming the energy pumped into each letterform originally known for its simplicity.
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