Ray-gun magazine is a prime example of a leading
publication that plays on breaking of the grid to ensure their own distinct
design style. Ray-gun’s visual identity rejects the grid system completely,
designers experiment with styles such as punk, new wave and digital
expressionism to break the standard grid use. The designers in these covers
appear to have begun with a grid system to create an effective design and then
developed the placing of the elements in a new way to achieve a more unique
dynamic effect within their design.
Usually within a grid system the layout is based
around the needs of the content, whereas the methods that can be seen above,
shows a different approach in which the content is placed in a non-digital
style. This is evident in the lack of consistency when it comes to choice of
typeface, and its placement, varying not only between each edition but also on each
of the covers. The type used on the page appear to be letterpress further
extending the handmade feel to the document. Handmade techniques are further
represented in the image on the bottom, in which the image appears to be
repeated in a press replication process.
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