Our finished product was representative of traditional
printing methods both in name and through the concept behind it. The name
pressing matters itself refers to the impression needed from inked media to
page to be able to print, the pressing motion creating the impression on the
stock. The brand itself further represents this through the use of three
stripes within the logo representing the three layers to traditional print,
depicted throughout all posts in social media.
In terms of the design the campaign was successful,
decisions were informed by research. The adaptation of a broadsheet into a
catalogue shows the beginning of the theme throughout our brand, the mix of
this with aspects of the tabloid paper create a brighter more interactive
outcome, taking inspiration from the OK-RM bright vivid style, which
consistency allows to be successful.
Our brand identity is consistent throughout, all typefaces
used are sourced from research to inform the decision, all ‘header’ text has
been completed in Franklin Gothic a type often used within tabloid titles,
further tying together the brands visuals. Reiterated by the choice of red
throughout the campaign, made stronger by being the only hue other than black
and white, relating its importance to the audience.
Importance is visually represented through repetition within
the logo, particularly the variation used within the snapchat filter and
catalogue, depicted through the use of bold caps in high contrast (white
against red). It is the largest item on the page when put into context, again
representing the importance of the exhibition, and the importance of
traditional print.
In terms of social media, the accounts made and maintained,
giving some insight into the production and location of the exhibition getting the
audience interested in the exhibition. The choice of social media in the way I presented
it would also allow for a reach to an audience wider than just the LCA network,
into the public promoting the university and what it can do. The methods I chose
also represented no or little costs, and utilise the facilities of each social
network and their new developments to optimum ability, i.e. use of Instagram stories
and snapchat geo-filters.
From feedback received post presentation it is evident that
we should have further developed the original idea of using comical slogans in
the promotion of the event. As we tried to develop a professional and polished
outcome, it almost became too serious and formal, by adding in the graphic design
relevant humour it would have allowed for a lighter hearted manner towards the
project. The serious tone comes from the use ‘importance’ in the design, to
create more of an impact and lasting impression on the audience, the saturation
of putting ‘pressing matters’ to the forefront of the audience’s attention
almost becomes too much. Overall I am happy with the outcome and believe as a
team we worked well all producing an even amount of development towards the
final product, the project overall was created as a successful collaborative.
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