Sunday, 14 May 2017

Josef Albers Research/ Homage to the square

Josef Albers

Joesf Albers was a German born American artist who is most known for his works with the exploration of colour. His most well-known work ‘homage to the square’ makes this evident, consisting of 3-4 squares of colour that showed a level of gradient but never mixed. The idea of the work was to show to the audience the oxymoronic nature of colour and the way in which you can work with it. He experimented with the idea that colour is both dependant and independent at the same time, the idea that it can be representative of both opposing ideas. His need to show dependence of colour with each other is shown in his pieces through the use of the selected colours. Reds, yellows and oranges were placed together, giving the idea of ‘warm’ tones, similarly blues, and greens placed together giving the idea of ‘cool’ tones. The way the audience perceives these colours to be linked to temperature is through colour theory, each of the colours create this depiction of another thing – in this case temperature. Although none of the colours themselves are bleeding into each other, showing the need for co-dependency of the colours to represent the artist’s thoughts. Yet at the same time he manages to represent their own independence through the very fact of having them in a square structure in which none of them bleed, meaning any element could be taken away and the piece still make sense. This is something unique to the piece as it can be minimised to its core and still communicate part of its meaning, though if the colours were removed it would lack the representation of ‘warm’ or ‘cool’ tones.

Homage to the square

Homage to the square
To be able to further develop an understanding of the method and the way in which Albers uses colour within his work I have created my own attempt using the colour swatches I created from the photograph I took of Leeds. The tones I have used when on the page seemed too similar to each other to be used within the same piece but when taken and put into a different larger context, the tones create a gradient out of their separate solid blocks. Similar to that of Albers works.

My Experimentation


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